Blackstone Fortress · Boxed Games · Warhammer 40000

[Blackstone Fortress] The Explorers (2/2)

20190731_043505

Finally we’ve reached the end of Blackstone Fortress and it’s only fitting I saved what ended up being my favorite models for last. Starting with Janus Draik, arguably the main character of the game if there was one, I opted to keep his color scheme as close to the official paint job as possible. A lot of the colors and techniques for things like his coat, the pelt draped over his shoulders and his skin tone I’ve already gone into in previous blog posts, so I don’t have much to say except that I love the pose and the cigarette is a nice touch.

20190731_043528

I actually stalled out on Dahyak Grekh, the Kroot Tracker, for awhile. I spent a few days trying to find a skin tone that I felt would fit the gloomy atmosphere of Blackstone Fortress, since the official paint job was a little too warm of a green. None of the stock Citadel paints seemed to serve as good jumping off points for what I was looking for, and there actually weren’t many paint jobs online that were inspiring me either.

It wasn’t until I came across this one guy’s Instagram account. His take on the Kroot skin tone was more inspired by the old school paint jobs you would’ve seen in the early 2000s, and just nailed that cold look I was going for. He was nice enough to give me some tips, but being that this was well over half a year ago, I’m struggling to remember how I ended up doing it. Something like mixing Administratum Grey with Ogryn Camo to start, then mixing in Abaddon Black to shade, and progressively more White Scar to highlight. There was a lot of improvisation that I don’t think I would do if I were trying to copy the technique over multiple troops, but since this was a one off, it was nice to try something different.  Anyway, shout out to IG: dweeziedie from Stockholm Warpaint for the advice.

amallyn_shadowguide

And last but certainly not least, Amallyn Shadowguide. I was pretty much obligated to paint her armor in the colors of my “home” Craftworld, and not just because her Biel-Tani iteration was, again, too bright to fit the mood I was going for. The only thing I took from her original paint scheme was the rifle, since it was dark and sleek, but still ornate enough to stand out. It’s also kind of a character on its own, just like Pious Vorne’s flamer.

Her cloak was just a random pattern of jagged shapes using Abaddon Black, Mechanicus Standard Grey, Dawnstone and Administratum Grey to highlight certain shapes. I feel like I could have done a better job, but the camo ended up being understated enough in a way that I liked. Happy accidents and all that.

It was kind of nice being able to close out this box with an Aeldari model after painting so many non-Eldar. Though admittedly there is still a UR-025 sitting around. I might try experimenting with some Contrast Paints, but after finishing Amallyn, I’m just about ready to call this project done so I can finally play the damn game.

On to the next.

aeldari_ranger

“Go on. I’ve got your back…”

Blackstone Fortress · Boxed Games · Warhammer 40000

[Blackstone Fortress] The Explorers (1/2)

Now on to The Explorers.  I painted these guys in roughly this order, from models I thought would be more straight forward to paint or characters I wasn’t as invested in, to ones I knew I’d want to spend a little extra time on.  This first of two entries will cover the former — and that’s not to say I disliked these models or anything, since I was really happy with how Espern Locarno and Pious Vorne turned out.

As a disclaimer, it’s been awhile since I put these models away and I’ve had to put the blog on hold for awhile too, so my memory might be a little hazy on some details.  Bear with me.

20190801_025807

Espern Locarno was the very first of The Explorers I worked on.  At this point, coming up on the end of the Blackstone Fortress box,  I was just excited  at the prospect of painting more than just blacks, reds and variations of grey that comprise so much of the hostiles in the game.

For most of The Explorers I didn’t feel the need to stray much from GW’s paint schemes, and for Locarno in particular there was a nice little video on Warhammer TV that provides a bit of a jumping off point for the purple on the cape and robes.  To sum it up, base the outer cape with Naggaroth Night, then build on that with Xerus Purple, Genestealer Purple, and highlight with Warpfiend Grey. For the robes, base with Xerus Purple, and progress through the previous colors, but a bit more liberally to create a brighter purple.

20190801_025940

Painting Rein and Raus isn’t much different than painting a Cadian Guardsman — one that’s been dipped in glue then rolled around in your bits box.  I’m generally not a fan of really “busy” models because of how much they slow down the painting process, but there is something to be said about the amount of detail GW is able to cram into plastic kits these days.

Despite their size, the Ratling twins are carrying a lot of crap, and their knapsacks, mini-fridges, leather pouches full of snacks, etc. I just found tedious to paint.  As long as they’re not rank and file troops, I guess I can stomach the odd HQ or character models done in this style, but the twins still came out as my least favorite of The Explorers to paint.

20190801_030117

Next was Taddeus the Purifier who, next to Rein and Raus, was probably my second least favorite explorer to paint, but not because of the model.  The model’s neat and so is the official paint job, because that’s pretty much how I’d expect the Space Pope to look.  Actually, the problem was just me and not feeling like I did a very clean job on this model.  The face just doesn’t stand out enough and some of the reds on the robe look less crisp than I would’ve liked.  At some point I just decided it’d be better to keep it moving and shift my focus to the next one.

Oh, and my approach to his pajama robes were as follows:

  • [Base] Zandri Dust
  • [Layer] Ushabti Bone
  • [Wash] Seraphim Sepia
  • [Layer] Ushabti Bone, leaving the wash in the folds or where shadows would fall
  • [Layer] Mix increasing amounts of Screaming Skull into Ushabti Bone
  • [Highlight] Pallid Wychflesh

As always, Lahmian Medium is useful to thin paints down and create smoother transitions between colors versus plain water.

20190801_030410

Finally, Pious Vorne.  Despite the drab colors, she was fun to paint.  She was also an interesting example of just how different black can look when highlighted with different but similar colors.  For example, a highlight of Mechanicus Standard Grey followed by a fine highlight of Dawnstone gives her black armor a cleaner appearance, as opposed to her dusty leather gloves which are highlighted with Eshin Grey and Stormvermin Fur.  The effect isn’t as noticeable in the pictures, but is something worth remembering and keeping in your bag of tricks to use on models with a lot of black, especially when they have a mix of metal and leather.

Finally, I couldn’t resist the urge to paint hazard stripes on her Vindictor, since the thing is so over the top it’s almost a character in itself.  For those I followed the same method I used to paint yellow for my Orks that I detailed awhile ago.  It’s eye catching on an otherwise subdued model.

That’s all for now.  Next up are the Chaos Space Marines and the big bad, Obsidius Mallex, then finally the other half of The Explorers as the conclusion to my series on Blackstone Fortress.  Hopefully in a few days as opposed to a few months this time.

Blackstone Fortress · Boxed Games · Warhammer 40000

[Blackstone Fortress] Negavolt Cultists and Rogue Psykers

20190801_024410

Here we are almost nearing the end of the hostiles for Blackstone Fortress.  The Negavolt Culstists were one of the standout hostile models for me for a few reasons.  As far as I know, this is the closest thing we’ve seen to a representation of Dark Mechanicus in model form in the past couple decades, if ever at all.  It’s also just a really cool model.  The Adeptus Mechanicus could already easily be portrayed as an evil faction, corrupted by their obsession with machines in many other fictional universes, but this being 40k, you can always take it a step further.

Well, they took it a step further.  The whip-like tentacles coming out of their skulls, metal plates giving only the basic outline of a human face fused to mask their actual faces give even Electro Priests a bit of a run for their money when it comes to the creep factor.  Much like the Traitor Guardsman, there is a bit of a scavenger vibe to them as well that I like, and the power coils on their backs wouldn’t look out of place at all on an Ork Mek.

20190801_024512

Speaking of the power coils, I saw them as a great chance to practice object source lighting, aka OSL, again.  I wasn’t a fan of the orange coils Games Workshop used in the official paint schemes, so I went with good old blue plasma.  Warhammer TV has a basic tutorial on how to paint the plasma on plasma guns, and that’s a good starting point.  To sum it up:

  • [Base] Kantor Blue
  • [Layer] Teclis Blue
  • [Layer] Baharroth Blue on the raised coils
  • [Layer] Thinned down White Scar in patches around the raised coils to give it a more white-hot look

Next, if you’re going down the OSL route, you’re going to want to have the metal done first, as the glazes are meant to be applied over them.  The metal’s nothing special — the same technique you’ve seen a thousand times:

  • [Base] Leadbelcher
  • [Wash] Nuln Oil
  • [Wash] (Optional) Agrax Earthshade — helps break up the uniformity when applied to parts, (example: the shaft of the batons).
  • [Highlight] Leadbelcher
  • [Edge Highlight] Stormhost Silver

With that done, you’ll be thinning down Teclis Blue pretty heavily with Lahmian Medium, at least 2:1, to create a glaze.  You want to build this up slowly on the metallic surfaces where light from the coils would catch.  Remember, you can always add, but you can’t subtract — at least, not without a lot of effort.  Next, do the same with Baharroth Blue, but bring it in a little closer to the light wherever the light would be stronger.  I also used Stormhost Silver to reapply an edge highlight to the metal, but you could try playing around with White Scar as well.

20190801_025046

I don’t have much to say about the Rogue Psykers but here they are.  They were only a little more interesting to paint than the Traitor Guardsmen, but the callback to the old Daemonhost model, being shackled to weights, was a nice touch.

A lot of the techniques used on these guys I’ve already detailed in other entries, like the fur pelts which also appear on Traitor Guardsmen and the flesh which I took a very similar approach with as the Chaos Beastmen.  I wanted a bit more of an unnatural tone to their skin and didn’t want to just make them look pale like the Negavolt Cultists.

Next up for Blackstone Fortress, the Black Legion Marines and Obsidius Mallex.

Blackstone Fortress · Boxed Games · Warhammer 40000

[Blackstone Fortress] Chaos Beastmen and Small Tweaks Making a Difference.

Work continues on Blackstone Fortress despite a lack of blog entries.  After finishing the Traitor Guard, I decided I wanted to start working on some of the more unique models found in this set, starting with the Chaos Beastmen.  These actually weren’t too bad, as a lot of the colors combinations I just lifted from my Traitor Guardsmen, and if there’s one thing that slows my painting down to a crawl it’s trying to figure out color schemes on the fly.  Indecision is really one of the banes of my hobby life.

IMG_1485

Much like the official paint schemes I made heavy use of blacks and greys with spots of red and earthy colors to break things up.  The only thing that really took a bit of experimenting on was the flesh.  …And somewhere in Commorragh a Haemonculus just cackled.  Anyway, what I settled on was this:

  • Basecoat of Rakarth Flesh
  • Wash of Reikland Fleshshade
  • Layer in slightly thinned Rakarth Flesh leaving the wash in the recesses alone.
  • Build up the previous layer with Flayed One Flesh thinned down with Lahmian Medium.*
  • Mix Flayed One Flesh and Pallid Wych Flesh 1:1 and highlight the contours of muscles, fingers, raised areas of the face, etc.
  • Fine highlight of Pallid Wych Flesh on the most prominently raised areas like the tips of the ears, just above the eyebrows, knuckles, etc.

As a quick note (*), I found the transition from Rakarth Flesh from Flayed One Flesh to be more harsh and unnatural looking than usual, so thinning the paint down with some kind of medium to build up this layer is important.  Regular water doesn’t really thin the paint down in a way that gives us the result we want.

IMG_1398

And a WIP image with the first test model front and center.  One of these days I’m really going to have to figure out how to take better pictures, since as this blog has gone on I’ve noticed how inconsistent the lighting can be.

Finally, as you might have noticed, the bases on the finished models look a bit different.  I initially went with a very basic, shades of grey color scheme with splotches of Gryphonne Sepia to add a bit of flavor.  And those look fine when you add a bit of flock to them — it’s basically how I do a lot of my Craftworld Eldar bases, except maybe I went a little too heavy on the white with these.  Anyway, they don’t look right on these models and it’s been bugging me since I started painting them.

Luckily I stumbled across this tutorial on How to Paint Shyish Themed Bases on YouTube by Xenus Minis.  The change is small, but made enough of a difference I felt compelled to go back and redo all of the bases on my Blackstone Fortress models.  You start with Mechanicus Standard Grey as usual, but when you shade with Nuln Oil, you use patches of Nighthaunt Gloom as well to create an eerie, otherworldly glow.  A small detail, but very fitting for the setting.

IMG_1517

Where I deviated from the video was going heavier on the Nighthaunt Gloom, and instead of drybrushing with Rakarth Flesh and Pallid Wych Flesh, I used Dawnstone and Administratum Grey.  Rocks were painted with Dawnstone, given a wash of Coelia Greenshade, then drybrushed much like everything else.  I also used Ulthuan Grey to pick out edges on rocks to make them really stand out, and sparingly in patches on the ground just to add some variation.  Above, you can see the test base on the left, and a after a bit of practice, where I kinda settled, on the base of my WIP Kroot Tracker.

That’s it for now.  Negavolt Cultists and the Rogue Psykers are next.